DeStewart

Art in odd places

Art, Environment

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What to do with latex paint that I never intend to use again? That’s the question I faced with a half-empty gallon of Tea Light, an unremarkable hue from Benjamin Moore, occupying a square foot of space in my cramped basement.

I’m not sure what I ever saw in Tea Light. Even on the sunniest days, it has a gloomy cast about it. Honestly, getting its remaining ounces out of the house had less to do with clearing up space and more to do with expunging the memory of it ever appearing on my guest bathroom’s walls (it was quickly covered over with Hawthorne Yellow).

Tea Light paint reflecting overhead clouds

As much as I loathed Tea Light, I wanted to dispose of it in an eco-responsible manner. So I Googled my way to a solution: line a cardboard box with plastic and pour a thin layer of paint in the box; after it dries, add another thin layer; repeat until the can is empty, and then throw out the paint-caked box.

I should have paid greater attention to the “thin” part of the process. My first layer was far too thick and took more than a week to dry. Around day three of the drying process, I took the photo shown here. Though I was frustrated by the painstakingly long time it took this layer of Tea Light to dry, I found the unmixed, semi-dry paint to be far more aesthetically appealing — artful, even — than the well-stirred and carefully applied paint that I’d once applied to my bathroom’s walls.

Spirit & Place Festival kicks off in Indianapolis

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Check out my preview of this year’s Spirit & Place Festival in NUVO. The online version of the story is condensed; you can read the full version in the print version of this week’s NUVO — that is, if you’re near one of the alt-weekly’s distributors in the Indianapolis area.

The festival includes 52 events over a 10-day stretch. If I had to choose one must-attend event, it would be Think Farm at Big Car’s Service Center location near Lafayette Square. Big Car, a collective of more than 30 artists, invited locals to submit a 400-word idea for improving Indianapolis. Each submission needed to include three images illustrating the idea. A panel of community leaders will select the six strongest ideas, and on Nov. 11 Think Farm will take place, with winners presenting their ideas Pecha Kucha style — that is, with 20 slides shown on screen for 20 seconds each.

Talking to a legendary tattoo artist while parked in front of Lowe’s

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I’m not a tattoo guy. At no point in my life have I been the slightest bit tempted to get a tattoo. I suspect my lack of interest in getting inked has less to do with the aesthetics of tattoos and more to do with their permanent nature. A person’s art tastes change over time. I like the print I currently have hanging in my kitchen, but I know I’ll be ready to replace it with something else in a year or two.

Though I’ll never have a bulldog inked on my bicep, I nonetheless was thrilled to have the opportunity to interview legendary tattoo artist Lyle Tuttle for NUVO Newsweekly. I prefer to chat with people who, on the surface, appear to have little in common with me, as the experience takes me out of my comfort zone and results in a conversation that’s rich with discoveries. Also, I inevitably realize that the person has much more depth and complexity than I realized going into the interview.

Annie Leibovitz took this photo of Tuttle for Rolling Stone’s 1972 Christmas card

Such was the case with Tuttle, who, with a body covered in tattoos and a client list that included Janis Joplin and Cher, was regarded as a bad-boy iconoclast during the counterculture era of the 1960s and ‘70s but who, in reality, is a Korean War vet who adores his family and prefers the slow pace of small-town life to the hustle and bustle of the big city. “I’ve never been a rebel,” he said to me at the close of our conversation, which took place over the phone, with Tuttle speaking from his home in the quiet Northern California town of Ukiah (he lives in the house he grew up in) and me sitting in my Prius while parked in front of a Lowe’s.

Tuttle was quite generous with his time. We talked for just shy of an hour. Unfortunately, I unwittingly hit the pause button on my digital recorder at the start of the interview, a gaffe that went unrealized until the interview hit the 15-minute mark. By then, Tuttle had told me captivating stories about his time in Korea and the experience of getting his first tattoo (a heart alongside the word “Momma”). I regret not being able to share these stories in my NUVO Q&A, but Tuttle gave me numerous engaging nuggets in the 40-some recorded minutes that followed.

I’ll continue to conduct phone interviews in my car, which provides surprisingly good acoustics. But, going forward, I’m going to use two digital recorders, just to play it safe given my gaffe-tending ways.

 

Day of the Dead exhibit at the IAC

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It’s Nov. 2, the Day of the Dead (aka All Souls Day), and if you’re in central Indiana, your plans should involve a trip to the Indianapolis Art Center to check out Behind the Mask, a Day of the Dead-inspired altar exhibit by artist Salvador Jimènez. I recently interviewed Jimènez for NUVO, and he told me about the exhaustive research he conducted in creating his exhibit, which honors specific individuals who died while attempting to immigrate to the United States.

Sketch by Salvador Jimènez honoring Reymundo Barreda, Jr.

One of those honored is Reymundo Barreda, Jr., a teenager who, along with his father, died while seeking to emigrate from Mexico. Jimènez, a Chicago-based artist, deflected questions about what caused the boy’s death; instead, in keeping with the spirit of the Day of the Dead, he focused on the boy’s life and passions. The sketch shown here was shared with me by Jimènez, and in it he emphasizes Reymundo’s youth and his love of soccer.

If you can’t make it to the Indianapolis Art Center today, no worries. The altar exhibit continues through Nov. 27.